Trip attacks the spectator with a frontal force of images borrowed from Russian avant-garde film. Revolving around the phenomenon of mass structures, the performers insist in cheering on, stomping down and slashing at the body. Through relentless repetition Trip manages to evoke an ever-changing flow of associations ranging from blind euphoria to totalitarian terror.
© Charlotte Walker
© Charlotte Walker
Concept & chorégraphie/ Konzept & Choreographie:White Horse (Christoph Leuenberger, Julia Jadkowski, LeaMartini); danse/ Tanz:MariaMavridou, Xavier Fontaine, Christoph Leuenberger; son/ Ton: Coordt Linke; collaboration dramaturgique/ dramaturgische Mitarbeit: David Weber-Krebs; lumière/ Licht: Fabian Lehmann, Attila Nemeth, Jan Fedinger; scénographie/ Bühne: Theresia Knevel.
Avec le soutien de / mit freundlicher Unterstützung von: Pro Helvetia.
